Project Description
Bestiary
- Viktor Koen | Bestiary | Installation view
- Viktor Koen | Bestiary | Installation view
- Viktor Koen | Bestiary | Installation view
- Viktor Koen | Bestiary | Installation view
- Viktor Koen | Bestiary | Installation view
- Viktor Koen | Bestiary | Installation view
- V.Koen_Pegasus 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- V.Koen_Minotaur 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- Viktor Koen, Empusa, 2017, 73 x 50 cm, archival print on Fine Art paper, ed.1:3
- V.Koen_ Medusa 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- V.Koen_Erinya 73 x 50,archival print on Fine Art paper, 2015ed.1:3
- V.Koen_Tiresias 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- V.Koen_ Argus Panoptes, 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- V.Koen_The Calydonian Boar 73 x 50,archival print on Fine Art paper, 2015, ed.1:3
- V.Koen_ Erigone 106 x 156,archival print on FineArt paper, 2015_ed.1:3
- V.Koen_ Lamia 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- V.Koen_Icarus 73 x 50,archival print on Fine Art paper, 2015 ed.1/3
- V.Koen_Nemesis 73 x 50,archival print on Fine Art paper, 2015 ed.1:3
- V.Koen_Siren 73 x 50,archival print on Fine Art paper, 2015,ed.1:3
Bestiary is the product of Koen’s long fascination with Greek mythology and early 19th Century photography. Based on a set of mostly hybrid creature descriptions and influenced by religious iconography, myth comes full circle and meets social criticism by molding these monstrous archetypes into contemporary commentary. Most importantly, in this series, the beasts are separated from their usually singular dimension, assuming complex, tragic personalities in which monsters and heroes become difficult to tell apart.
Drawing from the vast pictorial collection of the US Library of Congress, these characters possess the hunting qualities of early photography, when subjects were not camera-savvy and their awe for technology was etched in their expression as, to a certain degree, their souls were captured by the lens. Their photos became psychological portraits way before the digital intervention made them supernatural. This deformed pantheon combines widely known mythical protagonists with more obscure characters from the depths of ancient Greek sources.
Bestiaries are traditionally catalogs where the natural history notes and illustration of beasts is usually accompanied by a moral lesson and this one is no different.
Robert Graves’s 1955 tome, The Greek Myths, provided the core resource on the characters, and it illuminated these fascinating tales that were known to Koen only of in their overly sanitized versions from his school years in Greece. The human, sexual, and violent dimensions of the beasts described in his texts re-sparked Koen’s interest in the subject and deeply inspired his images and symbols.
Viktor Koen’s Bestiary was previously presented at the United Photo Industries, New York.
Bio
Viktor Koen is an award winning artist and educator. He holds a BFA from the Bezalel Academy of Arts & Design in Jerusalem, Israel and an MFA with honors from the School of Visual Arts. Mr. Koen is a regular contributor to national and international publications and serves on the graduate faculty of SVA. His prints are widely exhibited in galleries and museums in the United States, Europe, Japan, Australia and are part of private and institutional collections including public art installations. One man shows include: Benaki Museum/Athens, United Photo Industries/NY, Type Directors Club/NYC, The Coningsby Gallery/London, Strychnin Gallery/Berlin, Fraser Gallery/Washington/DC, Astrolavos Gallery/Athens/Greece, Slovak National Museum/Bratislava, Photography Center of Athens, LeVall Gallery/Novosibirsk/Russia, Eirmos Gallery/Thessaloniki/Greece, International Month of Photography/Fillipoupolis/Bulgaria, Merry Karnowsky Gallery/Los Angeles, Viridian Artists/NYC, Macedonian Museum of Contemporary Art/Thessaloniki/Greece.He is a TED speaker and lectures for international academic and professional institutions and conferences. Mr. Koen’s work is regularly featured in books and publications worldwide.